terça-feira, dezembro 27, 2011

Ena Pá 2000 - PDF (2011)

Bad Company - If You Needed Somebody

KUMPANIA ALGAZARRA ao vivo, em SINTRA, na NOITE de ANO NOVO





KUMPANIA ALGAZARRA AO VIVO

em SINTRA, na PASSAGEM de ANO!







Nada melhor para terminar um ano, que teve como ponto alto o encerramento do Festival de Músicas do Mundo de Sines e o lançamento do seu respectivo EP, do que um concerto em “casa”!



A grande passagem de ano vai ser em Sintra, numa quinta espectacular - Quinta do Pé da Serra - , com muita animação e festa! Venham, é barato e dá alegria para 2012!!!

Mais informações em https://www.facebook.com/events/293005980742643/

terça-feira, dezembro 20, 2011

Adelaide Ferreira - Gostar de Alguém Assim

Slacker Canadian Music Week 2012

Quatro novas bandas Portuguesas convidadas para a Slacker Canadian Music Week (CMW) com o apoio do projecto Missão: Canadá




Na sequência do anunciado destaque que Portugal vai ter na Slacker Canadian Music Week 2012, foi confirmado esta semana pela organização do evento que quatro novas bandas Portuguesas foram convidadas a participar neste Festival que se realiza em Toronto entre 21 e 25 de Março de 2012.

Expensive Soul, Noiserv, Rejects United e The Underdogs integram agora a lista de artistas Portugueses presentes na Slacker Canadian Music Week com o apoio da Missão: Canadá. Estes quatro novos projectos juntam-se assim às outras bandas já confirmadas em Outubro: David Fonseca, Blasted Mechanism, Mazgani, Linda Martini, peixe : avião, Murdering Tripping Blues, Miss Lava, Mikkel Solnado, Norton, Gomo, Youthless e Orelha Negra.

Este grupo de artistas Portugueses inclui novos talentos e artistas com carreiras estabelecidas em Portugal que, através da presença na Slacker Canadian Music Week com o apoio da Missão: Canadá, têm agora a oportunidade de exportar a sua música e apresentar os seus projectos junto de um público constituído por labels, publishers, managers, agentes, marcas e outras entidades do universo musical.

Com um total de 16 bandas confirmadas na Slacker Canadian Music Week, o projecto Missão: Canadá tem agora como objectivo principal reunir patrocínios e apoios para que o maior projecto de exportação de música Portuguesa para uma das maiores Feiras / Conferências de nível mundial se realize com o maior número de profissionais e entidades envolvidos.




Mais informação sobre a Missão: Canadá:

A Portugal Music Scene – um serviço de promoção para novos artistas Portugueses no estrangeiro – associou-se à Lisboagência e à Fabulous Generation para esta iniciativa e formaram o projecto “Missão: Canadá”.
“Missão: Canadá” tem como objectivos principais :

1) Organizar a ida de uma comitiva Portuguesa de artistas, média e profissionais (managers e agentes) até ao Festival / Conferência Slacker Canadian Music Week 2012;

2) Potenciar contactos com os mais de 3000 profissionais da Indústria Musical Internacional presentes na Slacker CMW 2012;

3) Viabilizar concertos dos artistas Portugueses presentes no Festival e com enorme potencial de exportação para os cerca de 3000 profissionais de todo o mundo que estarão presentes na Slacker CMW 2012.

www.cmw.net
www.cmw.net/international/2012-focus-on-spainportugal
www.portugalmusicscene.com
www.facebook.com/missioncanada2012

Contactos para imprensa:

Sara Espírito Santo 92 917 9246 e Sónia Ramos 92 789 3060

sara@fabulousgeneration.com; soniaramospress@gmail.com




--

Steve Bootland
Band management/ Int. Development & Consultancy
PT +351 918595002
UK: +44 7985443752
BBM Pin: 314CD9E3
www.portugalmusicscene.com

quinta-feira, dezembro 15, 2011

Arte & Ofício - Arquivo RTP 70's

Lançamento do álbum "No One's All", de Supreme Soul



Concerto de lançamento do álbum No One’s All

17 de Dezembro de 2011

Auditório Carlos Paredes, Lisboa

22.30h \\ 7 €




Género: Alternativa, Indie Rock, Electrónica, 80’s, New Wave, Post-Punk

Público: M/ 12

Duração: 70 minutos

País: Portugal



As sonoridades características do Indie Rock, sobretudo do Pós-Punk, e da New Wave da década de 80 definem na sua generalidade a música dos Supreme Soul.

A banda revela-se numa fusão de guitarras, sintetizadores e ritmos envolventes, construindo canções repletas de uma forte intensidade emocional e sensorial. Porém, na música dos Supreme Soul também existe romantismo e ambientes épicos, melancolia e ruídos sombrios.

É desta forma que o grupo se pretende assumir no panorama artístico nacional e internacional, apresentando como primeiro álbum o No One’s All, cujo videoclipe do single, “The Perfect Place For Us”, já pode ser visto online.









Ficha artística e técnica:



Voz e sintetizador Tiago Nobre Dias

Programações e sintetizador João de Melo

Guitarra Eléctrica Alexandre M.

Baixo Eléctrico Pedro Valério

Bateria Gonçalo Salema de Matos

Agência BemDitas - Criadores Culturais

Site Oficial www.supremesoul.com

Mapa de "Rockridge à Portuguesa"

Não ao fim da Vila de Recarei

the new sheriff scene from blazing saddles

Balbúrdia no Oeste

Blazing Saddles (Banzé no Oeste (título no Brasil) ou Balbúrdia no Oeste (título em Portugal)) é um filme estadunidense de 1974, do gênero comédia, dirigido por Mel Brooks.

Richard Pryor foi co-roteirista do filme e pretendia protagonizá-lo, mas o estúdio Warner Bros. o recusou devido a seus problemas com drogas e outras atividades tidas como "irregulares".

O filme parodia os faroestes do cinema.

Índice [esconder]
1 Sinopse
2 Elenco
3 Principais prêmios e indicações
4 Ligações externas

[editar] SinopseNuma cidadezinha do Oeste onde todos se chamam Johnson, a população é aterrorizada por bandidos liderados pelo malvado Hedley Lamarr, que sabe que as terras irão valer muito dinheiro com a passagem da ferrovia. O governador William envia um novo xerife para controlar a situação, o ex-ferroviário Bart. Bart é negro e é hostilizado pela população racista mas recebe ajuda do pistoleiro bêbado mas rápido no gatilho, The Waco Kid.

[editar] ElencoCleavon Little.... xerife Bart
Gene Wilder.... Jim, o "The Waco Kid"
Mel Brooks.... governador William J. Le Petomane / Chefe Índio
Madeline Kahn.... Lili Von Shtüpp
Harvey Korman.... Hedley Lamarr
Slim Pickens.... Taggart
Dom DeLuise.... Buddy Bizarre
Liam Dunn… reverendo Johnson
George Furth.... Van Johnson
Burton Gilliam.... Lyle
John Hillerman.... Howard Johnson
David Huddleston.... Olson Johnson
Alex Karras.... Mongo
Jack Starrett.... Gabby Johnson
Robyn Hilton.... Miss Stein (secretária do governador)
Rodney Allen Rippy.... jovem Bart
Charles McGregor.... Charlie
Anne Bancroft.... figurante na igreja (sem crédito)
[editar] Principais prêmios e indicaçõesOscar 1975 (EUA)

indicado nas categorias de melhor atriz coadjuvante (Madeline Kahn), melhor edição e melhor trilha sonora original.
BAFTA 1975 (Reino Unido)

Indicado nas categorias de melhor roteiro e ator novato em papel principal mais promissor (Cleavon Little).

Blazing Saddles

Blazing Saddles is a 1974 satirical Western comedy film directed by Mel Brooks. Starring Cleavon Little and Gene Wilder, the film was written by Brooks, Andrew Bergman, Richard Pryor, Norman Steinberg, and Al Uger, and was based on Bergman's story and draft.[2] The movie was nominated for three Academy Awards, and is ranked No. 6 on AFI's 100 Years... 100 Laughs list.

Brooks appears in multiple supporting roles, including Governor William J. Le Petomane and a Yiddish-speaking Indian chief. The supporting cast also includes Slim Pickens, Alex Karras, David Huddleston, as well as Brooks regulars Dom DeLuise, Madeline Kahn, and Harvey Korman. Bandleader Count Basie has a cameo as himself.

The film satirizes the racism obscured by myth-making Hollywood accounts of the American West, with the hero being a black sheriff in an all white town. The film is full of deliberate anachronisms, from a jazz band in the Wild West to a rustler referring to the Wide World of Sports to Nazis and camels.

Contents [hide]
1 Plot
2 Cast
3 Production
4 Influences
5 Reception
6 Awards and honors
7 Legacy
7.1 TV pilot
7.2 Musical adaptation
7.3 Soundtrack
8 Notes
9 External links

[edit] PlotIn the American Old West of 1874, construction on a new railroad led by Lyle (Burton Gilliam) runs into quicksand. The route has to be changed, which will require it to go through Rock Ridge, a frontier town where everyone has the last name of "Johnson" (including a "Howard Johnson", a "Dr. Samuel Johnson", a "Van Johnson" and an "Olson N. Johnson".) The conniving State Attorney General Hedley Lamarr (Harvey Korman) wants to buy the land along the new railroad route cheaply by driving the townspeople out. He sends a gang of thugs, led by his flunky assistant Taggart (Slim Pickens), to scare them away, prompting the townsfolk to demand that Governor William J. Le Petomane (Mel Brooks) appoint a new sheriff. The Attorney General convinces the dim-witted Le Petomane to select Bart (Cleavon Little), a black railroad worker who was to be hanged for hitting Taggart in the head with a shovel after Taggart ignored Bart and his friend sinking in quicksand, deciding to save their handcar instead. Lamarr believes a black lawman will so offend the townspeople that they will either abandon the town or lynch the new sheriff.

With his quick wits and the assistance of drunken gunslinger Jim (Gene Wilder), also known as "The Waco Kid" ("I must have killed more men than Cecil B. DeMille"),[3] Bart works to overcome the townsfolk's hostile reception. He defeats and befriends Mongo (Alex Karras), an immensely strong, exceptionally dim-witted (but surprisingly philosphical) henchman sent by Taggart and Lyle to kill Bart, and beats German seductress-for-hire Lili von Shtupp (Madeline Kahn) at her own game. Lamarr is furious that his plans keep failing and decides to destroy Rock Ridge with a newly recruited and diverse army of thugs (which Lamarr characterized as ideally consisting of "rustlers, cutthroats, murderers, bounty hunters, desperadoes, mugs, pugs, thugs, nitwits, half-wits, dimwits, vipers, snipers, con men, Indian agents, Mexican bandits, muggers, buggerers, bushwhackers, hornswagglers, horse thieves, bull dykes, train robbers, bank robbers, ass kickers, shit kickers – and Methodists"). In a scene where Lamarr hires his villains, the candidates include bikers, Arabs, banditos, crusaders, Nazis and Klansmen, Lamarr even kills a bank robber for chewing gum in line, and not having enough to share with everyone else.

Bart is given twenty-four hours to come up with a "brilliant plan to save our town." He gathers the town, along with the railroad workers, three miles east of Rock Ridge to build a fake town as a diversion. The workers labor all night to complete their task. After the sun rises, the fake town is a perfect replica, right down to the orange roof on Howard Johnson's outhouse. Bart realizes the town has no people in it, so it won't fool Lamarr's villains. Bart orders the townspeople to make "exact replicas of themselves," and leaves with Jim and Mongo to execute a plan that will slow the villains "to a crawl." The three construct a tollbooth labeled "Le Petomane Thruway"; upon seeing it, Taggart asks, "now what will that asshole think of next?" Since no one in the raiding party is carrying any change, Taggart sends someone back to town to "get a shitload of dimes."

Once through the tollbooth, Lamarr's villains attack the fake town, which Bart boobytrapped with several dynamite bombs. Bart attempts to set off the bombs but is unsuccessful as the detonator he has won't work. Jim is given the task of exploding the bombs, which he does by firing pistol shots into them. After the bombs explode, throwing villains high into the air, the citizens of Rock Ridge attack the villains.

The resulting fight between the townsfolk and Lamarr's army of thugs breaks the fourth wall, quite literally; the fight spills out from the Warner Bros. film lot into a neighboring all-gay musical set (being directed by Buddy Bizarre, Dom DeLuise), then into the studio commissary, where a pie fight ensues, Taggart is knocked out when Mongo crashes his head on a cash register, and finally pouring out into the surrounding streets. The citizens of Rock Ridge chase the villains back to town to destroy them but Lamarr runs to the theater while Bart and Jim follow him.

The film ends with Bart killing Lamarr by shooting him in the groin at the 'premiere' of Blazing Saddles outside Grauman's Chinese Theatre, saving the town, and then joining Jim inside the theatre to view the end of the movie, persuading people of all colors and creeds to live in harmony, before they hand in their horses and ride off (in a limousine) into the sunset.

[edit] CastCleavon Little as Sheriff Bart
Gene Wilder as Jim, aka "The Waco Kid"
Harvey Korman as Hedley Lamarr
Madeline Kahn as Lili von Shtupp, the "Teutonic Titwillow"
Slim Pickens as Taggart
Dom DeLuise as Buddy Bizarre
Mel Brooks as Gov. William J. Le Petomane / Indian Chief / Tough wearing sunglasses and a bomber jacket.
Liam Dunn as Reverend Johnson
George Furth as Van Johnson
Burton Gilliam as Lyle
John Hillerman as Howard Johnson
David Huddleston as Olson Johnson
Richard Collier as Dr. Samuel Johnson
Alex Karras as Mongo
Jack Starrett as Gabby Johnson
Robyn Hilton as Miss Stein (the governor's secretary)
Rodney Allen Rippy as Young Bart
Charles McGregor as Charlie
Robert Ridgely as Boris, the hangman
Carol Arthur as Harriet Johnson
Anne Bancroft as Extra in Church Congregation (uncredited)



Notes
Count Basie appears as himself in a cameo, with his band, which plays "April in Paris".
Mel Brooks also appears in a cameo as one of Hedley Lamarr's toughs, wearing sunglasses and a bomber jacket. He also dubbed the voice for one of the German chorus boys backing Madeline Kahn's performance of "I'm Tired", speaking lines such as "Give her a break!", "She's not a snake" and, "Don't you know she's pooped?!"
[edit] ProductionIn the DVD commentary, Brooks explains that the original title of the film, Tex X (as in the name of Black Muslim leader Malcolm X), was rejected, along with Black Bart and Purple Sage. Finally, Brooks concocted the title Blazing Saddles while taking a shower.[4]

Blazing Saddles was Brooks' first film shot in anamorphic format. To date, this film and History of the World, Part I are the only Brooks films in this format.

Brooks had repeated conflicts with studio executives over the cast and content. They objected to both the highly provocative script and to the "irregular" activities of the writers (particularly Richard Pryor, who reportedly led all-night writing jams where loud music and drugs played a prominent role). Brooks wanted Pryor to play the sheriff, but Warner executives expressed concern over Pryor's reliability because of his heavy drug use and the belief that he was mentally unstable.[4] In a similar vein, Gene Wilder was the second choice to play the Waco Kid. He was quickly brought in to replace Gig Young after the first day of filming.[5]

After screening the movie, the head of Warner Bros. complained about the use of the word "nigger", a flatulent campfire scene and Mongo punching a horse, and told Brooks to remove these elements. As Brooks' contract gave him control of the final cut, the complaints were disregarded and the elements remained. The only element removed was a scene in which Lili tried to seduce Bart in the dark, prompting him to quip, "That's my arm you're sucking".

Brooks wanted the movie's title song to reflect the western genre, and advertised in the trade papers for a "Frankie Laine-type" sound. Several days later, Laine himself visited Brooks' office to offer his services. Brooks had not told Laine that the movie was a comedy: "'Frankie sang his heart out... and we didn't have the heart to tell him it was a spoof — we just said, 'Oh, great!'. He never heard the whip cracks; we put those in later. We got so lucky with his serious interpretation of the song."[6]

In an interview included in the DVD release of Blazing Saddles, Brooks claimed that Hedy Lamarr threatened to sue, saying the film's running "Hedley Lamarr" joke infringed her right to publicity. This is lampooned when Hedley corrects Governor Le Petomane's pronunciation of his name, and Le Petomane replies with "What the hell are you worried about? This is 1874, you'll be able to sue her!". Brooks says he and the actress settled out of court for a small sum. In the same interview, Brooks related how he managed to convince John Wayne to read the script after meeting him in the Warner Bros. studio commissary. Wayne was impressed with the script, but politely declined a cameo, fearing it was "too dirty" for his family image. He is also said to have told Brooks that he "would be first in line to see the film, though".

[edit] Influences This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2010)

The plot (i.e. thwarting a ruthless scheming land-grabber) was a spoof of countless Western movies and cliches, including Destry Rides Again and Once Upon a Time in the West.

The film, town, and many of the scenes, music, and themes in Blazing Saddles were parodies of the classic Gary Cooper film High Noon. The church scene in particular was imitated down to the costumes and 'murmuring' of the townsfolk. Brooks' The Ballad Of Rock Ridge uses motifs and melodies that echo "Do Not Forsake Me, Oh My Darlin'", performed by Tex Ritter.

The line, "We don't need no stinking badges!" is a reference to a similar line in the Humphrey Bogart and John Huston film The Treasure of Sierra Madre.

Madeline Kahn's character, Lili Von Shtupp, is a parody of Marlene Dietrich in her chanteuse roles from Destry Rides Again and The Blue Angel, etc. The song "I'm Tired" is a parody of Dietrich's "I'm the Laziest Gal in Town" from Hitchcock's Stage Fright. 'Shtup' is a Yiddish verb meaning "to stuff, poke, or fill" but which is commonly used as a vulgarism best translated into English as "to have sex" (and which is considered as crude in polite society as its English counterpart). (When broadcast on television, Lili's last name is usually changed to "Shhhhhh..." to avoid use of the vulgarism, but is still written normally on the title card.)

Some references to Mel Brooks' first film The Producers include the playing of "Springtime for Hitler" before the introduction of Lili von Shtupp, Governor Le Petomane's echoes of Max Bialystock's line "Hello Boys!" and the use of the theme from "The French Mistake" when Hedley Lamarr and others escape the movie studio lot after breaking the fourth wall.

The scene under Hedley Lamarr's office window involving Boris, the Quasimodo-like hangman, is used again in a larger fashion in Brooks' 1993 comedy, Robin Hood: Men in Tights with Robert Ridgely reprising his role.

The extensions to the ISO 9660 standard for Unix Filesystem attributes are named as Rock Ridge extensions after the movie's town.

[edit] ReceptionWhile the film is widely considered a classic comedy today, critical reaction was mixed when the film was first released.[citation needed] Vincent Canby wrote:[7]

“Blazing Saddles has no dominant personality, and it looks as if it includes every gag thought up in every story conference. Whether good, bad, or mild, nothing was thrown out. Mr. [Woody] Allen's comedy, though very much a product of our Age of Analysis, recalls the wonder and discipline of people like Keaton and Laurel and Hardy. Mr. Brooks's sights are lower. His brashness is rare, but his use of anachronism and anarchy recalls not the great film comedies of the past, but the middling ones like the Hope-Crosby "Road" pictures. With his talent he should do much better than that.”
Roger Ebert gave the film four stars and called it a "crazed grabbag of a movie that does everything to keep us laughing except hit us over the head with a rubber chicken. Mostly, it succeeds. It's an audience picture; it doesn't have a lot of classy polish and its structure is a total mess. But of course! What does that matter while Alex Karras is knocking a horse cold with a right cross to the jaw?"[8] The film grossed $119.5 million in the box office becoming only the tenth film in history up to that point to pass the $100 million mark.[9]

On Rotten Tomatoes, the film has a certified "fresh" rating of 89%.[10]

[edit] Awards and honorsIn the scene where Lamarr addresses his band of bad guys, he says, "You men are only risking your lives, while I am risking an almost-certain Academy Award nomination for Best Supporting Actor!" Harvey Korman did not, in fact, get an Oscar nomination, but the film did receive three other Academy Awards nominations in 1974: Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing, and Best Music, Original Song. The film also earned two BAFTA awards nominations, for Best Newcomer (Cleavon Little) and Best Screenplay.

The film won the Writers Guild of America Award for "Best Comedy Written Directly for the Screen" for writers Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor, and Alan Uger.[11]

In 2006, Blazing Saddles was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the National Film Registry.[12] The American film critic Dave Kehr queried if the historical significance of Blazing Saddles lay in the fact that it was the first film from a major studio to have a fart joke.[13]

American Film Institute Lists

AFI's 100 Years...100 Movies – Nominated
AFI's 100 Years...100 Laughs – #6
AFI's 100 Years...100 Songs:
I'm Tired – Nominated
AFI's 100 Years...100 Movie Quotes:
"Excuse me while I whip this out." – Nominated
AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated
AFI's 10 Top 10 – Nominated Western film
[edit] Legacy[edit] TV pilotA television pilot was produced for CBS based on Andrew Bergman's initial story, titled Black Bart,[14] which was the original title of the film. It featured Louis Gossett, Jr. as Bart and Steve Landesberg as the drunk sidekick. Mel Brooks had little if anything to do with the pilot, as writer Andrew Bergman is listed as the sole creator. The pilot did not sell, but CBS aired it once on April 4, 1975. It was later included as a bonus feature on the Blazing Saddles 30th Anniversary DVD and the Blu-ray disc.

[edit] Musical adaptationWith the production of musical adaptations of The Producers and Young Frankenstein, rumors spread about a possible adaptation of Blazing Saddles. Brooks joked about the concept in the final number in Young Frankenstein, in which the full company sings, "next year, Blazing Saddles!" In 2010, Mel Brooks confirmed this, saying that the musical could be finished within a year. No creative team or plan has been announced.[15]

[edit] SoundtrackThe first studio-licensed release of the full music soundtrack to Blazing Saddles was on La-La Land Records on August 26, 2008. Remastered from original studio vault elements, the limited edition CD (a run of 3000) features the songs from the film as well as composer John Morris' score. Instrumental versions of all the songs are bonus tracks on the disc. The disc features exclusive liner notes featuring comments from Mel Brooks and John Morris.[16]

[edit] Notes^ Stewart, Jocelyn (February 10, 2008). "John Alvin, 59; created movie posters for such films as 'Blazing Saddles' and 'E.T.'". Los Angeles Times. http://www.latimes.com/news/printedition/california/la-me-alvin10feb10,1,5113268.story. Retrieved February 10, 2008.
^ Director and Leading Actors
^ Quotes from Blazing Saddles (1974) – GarnersClassics.com.
^ a b 2001 Review, mostly of Brooks's DVD commentary, from Salon.com
^ IMDb Biography for Gig Young
^ From the libretto of the La-LaLand Records soundtrack album
^ Review of Blazing Saddles by Vincent Canby
^ Roger Ebert. "Blazing Saddles". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19740207/REVIEWS/401010306/1023.
^ http://boxofficemojo.com/movies/?id=blazingsaddles.htm
^ http://www.rottentomatoes.com/m/blazing_saddles/
^ Awards for Blazing Saddles (1974)
^ http://www.imdb.com/title/tt0071230/awards
^ National Film Registry Announces New Titles
^ Black Bart at the Internet Movie Database
^ Back on the Horse: Mel Brooks Penning Songs for Blazing Saddles Musical
^ Blazing Saddles press release at La-La Land Records

Karpa Koi

Esta tinha de dizer: cada vez que abro o blog MP ouço uma musica que nem o Top+ tem capacidade de divulgar. "Velho Vidente".
Com todo o respeito pelo Top+ pois claro.

segunda-feira, dezembro 12, 2011

"Companheiro Vasco"



Canção de Carlos Alberto Moniz e de Maria do Âmparo, dedicada ao General Vasco Gonçalves, primeiro ministro de Portugal em 1974 e 1975, nos II, III, IV e V Governos Provisórios. Poema: Alfredo Vieira de Sousa. Música: Alfredo Vieira de Sousa, Carlos Alberto Moniz e Pedro Osório.

sexta-feira, dezembro 09, 2011

Viagem a Paris-Desfile Fatima Lopes

199 mil visitas ultrapassadas

... Gritali F. in 1983 [23] gave an algorithm which adapted the Fan data compression
algorithm to get the precise detection of the peak points of ...

www.docstoc.com/.../a-survey-on-polygonal-approximation-problems

sexta-feira, dezembro 02, 2011

Entrevista à banda "Karpa Koi"

Música Portuguesa - Qual o significado do nome Karpa Koi?
Karpa Koi - A origem do nome vem de uma lenda Japonesa que segundo ela, a carpa tinha que atingir a fonte do rio que corta a China, o Huang Ho (Rio Amarelo), na época da desova. Para isso, tinha que nadar contra a corrente e saltar cascatas até à montanha Jishinhan, e a carpa que alcançasse o topo tornava-se um dragão. Significa portanto coragem, força, determinação e capacidade para alcançar os objectivos.
Ora, é isso que como músicos temos feito ao longo da nossa carreira,” nadar contra a corrente”, e como é tão difícil ser músico em Portugal ou em qualquer país do mundo, à que lutar e trabalhar todos os dias, para que quando o dia do reconhecimento do nosso trabalho chegar, estarmos no topo e agradecer a todos que acreditaram em nós. Isto é o que nos move, isto é ser Karpa Koi.


MP - Quais as influencias musicais dos Karpa Koi?
KK - As influências são imensas como devem imaginar, mas o mais importante foi criar algo que nos fizesse sentir bem, musicas sóbrias que nos levassem em viagens imaginárias, musicas que nos fizessem sentir o coração a bater de forma ritmada e sem interrupções, criar laços entre a banda e o público em geral.

MP - Depois de se conhecerem há tantos anos, o que estiveram a fazer "na gaveta"?
KK - Na “gaveta” estivemos a “marinar”, a ganhar conhecimentos, a desenvolvermo-nos como seres humanos e como músicos, só agora sentimos que era o momento, só agora estamos prontos para criar e trabalhar como um só.

MP - Qual é a mensagem que tentam transmitir?
KK - A mensagem que tentamos transmitir é só uma, cada um de nós ouve cada musica de forma diferente e irá criar sensações e palpitações bastantes diferenciadas, por tal esperamos que cada pessoa depois de ouvir as nossas musicas nos abordem e nos digam qual foi a sensação que tiveram e daí qual a mensagem que tiraram.

MP - Qual é o vosso público-alvo?
KK - Todas as pessoas como é óbvio, mas acreditamos que a faixa entre o 15 e os 40 anos será o alvo principal.



MP - Como é que gente tão nova consegue produzir música deste calibre?
KK - Com muito esforço e dedicação, mas acima de tudo ter pessoas com uma cultura de composição como o Bruno, isso é muito importante.

MP - Quais são os vossos projectos para futuro, a curto e médio prazo?
KK - Neste momento só estamos concentrados em projectos a curto prazo, que é trabalhar muito, pois só com muito trabalho é que podemos atingir os projectos que virão a seguir ou seja o futuro.

Obrigado,
Votos de muito sucesso.

Rui M.